Dr Catherine Gander

English, Diversifying Irish Poetry
Associate Professor and Associate Dean for EDI
Research Postgraduate Coordinator
Biography
Hello!
I am Associate Dean of Equality, Diversity, and Inclusion for the Faculty of Arts, Celtic Studies, and Philosophy. I share this role with my colleague, Prof. Moynagh Sullivan, and our decision to jointly apply for the position was not least in order to model a gender-responsive and flexible method of collaborative leadership.
In my role as EDI Associate Dean, I am also the co-chair of the Faculty Self-Assessment Team for the Athena SWAN Bronze Award application, and first chair of the Implementation Group for the Gender Action Plan.
I am the Chair of the all-island Irish Association for American Studies (IAAS)
My research and teaching are in modern and contemporary American literature, specialising in the intersections between written and visual texts and modes. I write across and between disciplines, publishing on literary studies, aesthetics, art history and visual theory, and word & image studies.
I came to Maynooth after 4.5 years lecturing at Queen's University Belfast, where I established the Research Centre for the Americas and the American MA pathway. Before that, I held teaching posts at the University of Nottingham and UEA after completing my PhD at King's College London in early 2009.
My first monograph, Muriel Rukeyser and Documentary: The Poetics of Connection (Edinburgh University Press, 2013) won the biennial book award of the Irish Association for American Studies. I continue to publish on Rukeyser's wide-ranging work, editing a special issue of Textual Practice on her remarkable treatise, The Life of Poetry (2018), publishing an essay in the LA Review of Books (LARB), and currently editing, with Stefania Heim, a creative-critical hybrid book exploring Rukeyser's continuing relevance, featuring a host of wonderful, award-winning poets.
My research in the areas of embodiment and phenomenology, aesthetics, critical race studies, and intertextuality has led to recent work on contemporary authors and artists, including Don DeLillo, Claudia Rankine, and Carrie Mae Weems. I am interested in the ways in which these artists and others blend formal experimentations with positions of political and cultural resistance.
My current book projects include:
- Extending the Document: Contemporary Transmedial Poetics (under contract with Cambridge University Press), which takes as its starting point Muriel Rukeyser's dictum that 'poetry can extend the document' to consider poetry that works in a documentary vein to materialise language in various ways, often via visual, installation, and conceptual art.
- The Edinburgh Companion to Don DeLillo and the Arts (in press with EUP: August 2023), which brings together 31 renowned and emerging international DeLillo scholars to consider in extended essays DeLillo's myriad engagements with the visual, plastic, performing, digital, and spatial arts.
- Beyond Ourselves: Contemporary Poets on Muriel Rukeyser (edited with Stefania Heim; under contract with West Virginia University Press), a creative/critical hybrid book that responds to Rukeyser's lasting legacy, exploring the models she provides for living, thinking, writing, and resisting in our own social, political, and poetic moment.
- Matches, a poetry book under contract with Verve Poetry Press for publication February 2024.
I was PI on the Irish Research Council-funded New Foundations project: Diversifying Irish Poetry: Poetry Critics of Colour in Ireland (2021).
Previous funded projects include the AHRC and PaCCS-funded project 'LGBTQ Visions of Peace in a Society Emerging from Conflict'. This project's creative outcomes, including a photography exhibition and theatre performance, were launched during Belfast's Queer Arts Festival, Outburst, in November 2017, at Belfast Exposed and TheatreofplucK.
My pronouns are she/her.
I have supervised research projects on the subjects of post-9/11 American literature, ecofeminist apocalyptic literature, modernist word-image texts, contemporary literature and neoliberalism, feminist and anti-racist poetry, and most recently, on the wide-ranging written and photographic work of Teju Cole.
I would be happy to receive PhD proposals in the areas of:
I am Associate Dean of Equality, Diversity, and Inclusion for the Faculty of Arts, Celtic Studies, and Philosophy. I share this role with my colleague, Prof. Moynagh Sullivan, and our decision to jointly apply for the position was not least in order to model a gender-responsive and flexible method of collaborative leadership.
In my role as EDI Associate Dean, I am also the co-chair of the Faculty Self-Assessment Team for the Athena SWAN Bronze Award application, and first chair of the Implementation Group for the Gender Action Plan.
I am the Chair of the all-island Irish Association for American Studies (IAAS)
My research and teaching are in modern and contemporary American literature, specialising in the intersections between written and visual texts and modes. I write across and between disciplines, publishing on literary studies, aesthetics, art history and visual theory, and word & image studies.
I came to Maynooth after 4.5 years lecturing at Queen's University Belfast, where I established the Research Centre for the Americas and the American MA pathway. Before that, I held teaching posts at the University of Nottingham and UEA after completing my PhD at King's College London in early 2009.
My first monograph, Muriel Rukeyser and Documentary: The Poetics of Connection (Edinburgh University Press, 2013) won the biennial book award of the Irish Association for American Studies. I continue to publish on Rukeyser's wide-ranging work, editing a special issue of Textual Practice on her remarkable treatise, The Life of Poetry (2018), publishing an essay in the LA Review of Books (LARB), and currently editing, with Stefania Heim, a creative-critical hybrid book exploring Rukeyser's continuing relevance, featuring a host of wonderful, award-winning poets.
My research in the areas of embodiment and phenomenology, aesthetics, critical race studies, and intertextuality has led to recent work on contemporary authors and artists, including Don DeLillo, Claudia Rankine, and Carrie Mae Weems. I am interested in the ways in which these artists and others blend formal experimentations with positions of political and cultural resistance.
My current book projects include:
- Extending the Document: Contemporary Transmedial Poetics (under contract with Cambridge University Press), which takes as its starting point Muriel Rukeyser's dictum that 'poetry can extend the document' to consider poetry that works in a documentary vein to materialise language in various ways, often via visual, installation, and conceptual art.
- The Edinburgh Companion to Don DeLillo and the Arts (in press with EUP: August 2023), which brings together 31 renowned and emerging international DeLillo scholars to consider in extended essays DeLillo's myriad engagements with the visual, plastic, performing, digital, and spatial arts.
- Beyond Ourselves: Contemporary Poets on Muriel Rukeyser (edited with Stefania Heim; under contract with West Virginia University Press), a creative/critical hybrid book that responds to Rukeyser's lasting legacy, exploring the models she provides for living, thinking, writing, and resisting in our own social, political, and poetic moment.
- Matches, a poetry book under contract with Verve Poetry Press for publication February 2024.
I was PI on the Irish Research Council-funded New Foundations project: Diversifying Irish Poetry: Poetry Critics of Colour in Ireland (2021).
Previous funded projects include the AHRC and PaCCS-funded project 'LGBTQ Visions of Peace in a Society Emerging from Conflict'. This project's creative outcomes, including a photography exhibition and theatre performance, were launched during Belfast's Queer Arts Festival, Outburst, in November 2017, at Belfast Exposed and TheatreofplucK.
My pronouns are she/her.
I have supervised research projects on the subjects of post-9/11 American literature, ecofeminist apocalyptic literature, modernist word-image texts, contemporary literature and neoliberalism, feminist and anti-racist poetry, and most recently, on the wide-ranging written and photographic work of Teju Cole.
I would be happy to receive PhD proposals in the areas of:
- documentary poetics
- word-image intersections
- contemporary American poetry or fiction
- modern American poetry or fiction
- American visual culture
Research Interests
- Word-image studies
- Modern and contemporary American poetry and poetics
- American art
- Contemporary American fiction
- Photography
- Literatures of resistance
- Visual culture
- Feminist literature and culture
- Radical forms and texts
Research Projects
Book
Year | Publication | |
---|---|---|
2013 | Catherine Gander (2013) Muriel Rukeyser and Documentary: the Poetics of Connection. UK and US: Edinburgh University Press. [Link] |
Edited Book
Year | Publication | |
---|---|---|
2023 | Catherine Gander (Ed.). (2023) The Edinburgh Companion to Don DeLillo and the Arts. UK and US: Edinburgh University Press, [Link] | |
2016 | Catherine Gander and Sarah Garland (Ed.). (2016) Mixed Messages: American Correspondences in Visual and Verbal Practices. UK and US: Manchester University Press, [Link] |
Peer Reviewed Journal
Year | Publication | |
---|---|---|
2020 | Catherine Gander (2020) '‘Black and White Landscapes: Topographies of Disorientation in the Works of Carrie Mae Weems and Claudia Rankine''. Journal of American Studies, 53 (3):517-540. [DOI] [Full-Text] | |
2018 | Gander C. (2018) 'Poetry as embodied experience: the pragmatist aesthetics of Muriel Rukeyser’s The Life of Poetry'. Textual Practice, :1-25. [DOI] [Full-Text] | |
2018 | Catherine Gander (2018) '‘Re-reading Muriel Rukeyser’s The Life of Poetry’'. Textual Practice, 32 (7):1097-1102. [DOI] [Full-Text] | |
2013 | Catherine Gander and Sarah Garland (2013) 'The American Imagetext Special Issue'. European Journal of American Culture, 32 (2). [Full-Text] | |
2013 | Catherine Gander (2013) '‘Facing the Fact: Word and Image in Muriel Rukeyser’s “Worlds Alongside”’'. JNT-Journal of Narrative Theory, 42 (3):288-328. [Link] [Full-Text] | |
2013 | Catherine Gander (2013) 'Review essay: Touching Photographs by Margaret Olin'. European Journal of American Culture, 32 (3):205-208. | |
2011 | Catherine Gander (2011) '‘The Senses of Muriel Rukeyser’s The Book of the Dead’'. European Journal of American Culture, 30 (3):175-194. [Full-Text] | |
2010 | Catherine Gander (2010) 'Muriel Rukeyser, America, and the “Melville Revival”'. Journal of American Studies, 44 (4):759-775. [Full-Text] | |
2010 | Catherine Gander (2010) 'Review essay: Peter Conn, The American 1930s, A Literary History'. Journal of American Studies, 44 (2):466-468. |
Book Chapter
Year | Publication | |
---|---|---|
2023 | Catherine Gander (2023) 'The strength of the gesture to move like a poem: Layli Long Soldier’s poetics of relationality' In: Gestures: A Body of Work. Manchester, UK : Manchester University Press. | |
2023 | Catherine Gander (2023) 'Poetry' In: The Edinburgh Companion to Don DeLillo and the Arts. UK : Edinburgh University Press. | |
2023 | Catherine Gander (2023) 'Ways of Seeing / Don DeLillo and the Arts' In: The Edinburgh Companion to Don DeLillo and the Arts. UK : Edinburgh University Press. | |
2022 | Catherine Gander (2022) ''Time: Still Life'' In: Don DeLillo in Context. Cambridge and New York : Cambridge University Press. | |
2018 | Catherine Gander (2018) ''The Art of Being Out of Time in Don DeLillo's Point Omega'' In: Contemporary Critical Perspectives on Don DeLillo. UK and US : Bloomsbury Academic. [Link] | |
2016 | Catherine Gander (2016) '‘“Twenty-six things at once”: Pragmatic perspectives on Frank O’Hara and Norman Bluhm’s Poem-Paintings’' In: Mixed Messages: American Correspondences in Visual and Verbal Practices. UK and US : Manchester University Press. | |
2016 | Catherine Gander and Sarah Garland (2016) '‘To fasten words again to visible – and invisible – things’' In: Mixed Messages: American Correspondences in Visual and Verbal Practices. UK and US : Manchester University Press. | |
2016 | Catherine Gander and Sarah Garland (2016) '‘The idea, the machine and the art: word and image in the twenty-first century’' In: Mixed Messages: American Correspondences in Visual and Verbal Practices. UK and US : Manchester University Press. |
Other Journal
Invited Lectures
Year | Publication | |
---|---|---|
2022 | Catherine Gander (2022) Extending the document: the transmedial poetics of Layli Long Soldier. University of Strasbourg, France: [Invited Lectures] | |
2022 | Catherine Gander (2022) Being a good relative: Layli Long Soldier’s transmedial poetics of relation. Uppsala University, Sweden: [Invited Lectures] | |
2019 | Catherine Gander (2019) An Aesthetics of Displacement: Lecture and Response to IMMA exhibition, Doris Salcedo, Acts of Mourning. [Invited Lectures] [Link] | |
2019 | Catherine Gander (2019) Topographies of disorientation in the work of Carrie Mae Weems and Claudia Rankine (Trinity College Dublin). [Invited Lectures] | |
2015 | Catherine Gander (2015) ‘“Twenty-six things at once”: Pragmatic perspectives on Frank O’Hara and Norman Bluhm’s Poem-Paintings’. [Invited Lectures] |
Conference Contribution
Article
Year | Publication | |
---|---|---|
2015 | Catherine Gander (2015) ‘Michael Hanna: Short Films about Learning’. [Article] [Link] |
Book Review
Year | Publication | |
---|---|---|
2021 | Catherine Gander (2021) Her Living Voice: On The Essential Muriel Rukeyser. Los Angeles: [Book Review] [Link] | |
2020 | Catherine Gander (2020) The Silence by Don DeLillo: Review in the Irish Times. [Book Review] |
Film or Broadcast
Year | Publication | |
---|---|---|
2021 | Catherine Gander (2021) #Poetrytown Naas: Interview with poet laureate Mary O'Donnell. [Film or Broadcast] [Link] |
Invited papers
Poetry
Year | Publication | |
---|---|---|
2022 | Catherine Gander (2022) Matches Ghazal. [Poetry] [Link] | |
2022 | Catherine Gander (2022) Untitled (One Christmas in the Eighties). [Poetry] [Link] | |
2022 | Catherine Gander (2022) Say What You See. [Poetry] [Link] | |
2022 | Catherine Gander (2022) On Balance. [Poetry] [Link] | |
2022 | Catherine Gander (2022) The Refugee's Garden. [Poetry] [Link] | |
2022 | Catherine Gander (2022) Imaginary Vase. [Poetry] [Link] | |
2021 | Catherine Gander (2021) /Str/anger. [Poetry] [Link] | |
2021 | Catherine Gander (2021) Sisi of the Pines. [Poetry] | |
2021 | Catherine Gander (2021) The Comfort of Mallards. Dublin: [Poetry] | |
2021 | Catherine Gander (2021) Easter. London: [Poetry] [Link] | |
2021 | Catherine Gander (2021) Tender Ship. Oregon: [Poetry] [Link] | |
2021 | Catherine Gander (2021) To Erase a Memory. California: [Poetry] [Link] | |
2021 | Catherine Gander (2021) 'Self Portrait as Flood Plain'. [Poetry] [Link] | |
2021 | Catherine Gander (2021) Sottovoce. [Poetry] [Link] | |
2021 | Catherine Gander (2021) A Universe of Boundless Information. [Poetry] [Link] | |
2021 | Catherine Gander (2021) The Plunge. [Poetry] [Link] | |
2021 | Catherine Gander (2021) Unpicking a Pocket. [Poetry] [Link] | |
2021 | Catherine Gander (2021) Once. [Poetry] [Link] |
Media
Year | Publication | |
---|---|---|
2019 | Catherine Gander (2019) An Aesthetics of Displacement. [Media] [Link] |
Blog
Pamphlet
Year | Publication | |
---|---|---|
2022 | Catherine Gander, Georgia Hilton, Anna Kisby (2022) Sea Between Us. [Pamphlet] [Link] |
Webinar
Year | Publication | |
---|---|---|
2021 | Catherine Gander, Karl O'Hanlon (2021) Vahni Capildeo: A Poetry Reading and Discussion. [Webinar] [Link] | |
2021 | Catherine Gander, Karl O'Hanlon (2021) Ishion Hutchinson: A Poetry Reading and Discussion. [Webinar] [Link] | |
2021 | Catherine Gander, Karl O'Hanlon (2021) Sean Hewitt: A Poetry Reading and Discussion. [Webinar] | |
2020 | Catherine Gander, Karl O'Hanlon (2020) Philip Metres: A Poetry Reading and Discussion. [Webinar] [Link] | |
2020 | Catherine Gander, Karl O'Hanlon (2020) Carolyn Forché: A Poetry Reading and Discussion. [Webinar] [Link] |
Certain data included herein are derived from the © Web of Science (2023) of Clarivate. All rights reserved.
Professional Associations
Honors and Awards
Committees
Editorial / Academic Reviews
Teaching Interests
I teach modern and contemporary American literature and culture.
I convene the Stage 2 elective module: EN242: Introduction to American Literature
I convene the Stage 2 core module: EN204: Literatures of Place (2019-)
I convene the Stage 3 seminar: EN382: Picturing America: Shaping the States in Word and Image.
I convene the Stage 3 seminar: EN362: Research Seminar. Poetry, Witness, Resistance (2019-)
I co-convene the MA module 'The Political is Personal: Radical Contemporary Literatures' with Dr Íde Corley. (https://thepoliticalispersonalmaynooth.wordpress.com)
I convene the Stage 2 elective module: EN242: Introduction to American Literature
I convene the Stage 2 core module: EN204: Literatures of Place (2019-)
I convene the Stage 3 seminar: EN382: Picturing America: Shaping the States in Word and Image.
I convene the Stage 3 seminar: EN362: Research Seminar. Poetry, Witness, Resistance (2019-)
I co-convene the MA module 'The Political is Personal: Radical Contemporary Literatures' with Dr Íde Corley. (https://thepoliticalispersonalmaynooth.wordpress.com)