Dzifa Benson is a DIP mentor, and a Ledbury Poetry Critic and mentor. She is a multi-disciplinary live artist who uses literature as her primary mode of expression. The intersections between science, art, the body and ritual and by the question of who or what is invisible animate Dzifa's practice. She explores this through poetry, storytelling, theatre, performance, libretti, essay, journalism and a range of other media. She also embraces education, collaboration and participation at the heart of her practice. She is interested site-specific work as well as subverting the use of existing spaces.
Born in London to Ghanaian parents, Dzifa grew up in Ghana, Nigeria and Togo. She has performed her work internationally in many contexts such as: artist in residence in the warren of rooms that form the Courtauld Institute of Art; disruptive element in classrooms across the 5 sites of City & Islington College; curator of a poetry performance responding to a David Hockney painting in Tate Britain; producer and host of a literature and music experience in the Dissenters Gallery of Kensal Green Cemetery and core artist in BBC Africa Beyond's cross-arts project, Translations. Her poetry, stories, plays, libretti, journalism and essays have been published and presented in Poetry Review, Magma Poetry, Philosophy Now, Time Out, The Guardian, Southbank Centre, Tate Britain, They Royal Opera House, Bristol Old Vic, The Foundling Museum, the Bush Theatre, ITV Studios, Kings Place, Edinburgh Fringe Festival, Bethnal Green Working Men's Club, the House of Commons and the Shakespeare & Co Bookshop in Paris and other venues across the UK and abroad.
As a creative producer, Dzifa curates and programmes one-off literary events and multimedia literature festivals and conferences all across the UK. Working as a producer with live literature organisations Renaissance One and Tilt, Dzifa's work encompasses novelists, poets, journalists, broadcasters and thought leaders and the curation, marketing and promotion of book tours, poetry recitals, live literature shows and spoken word performances, talks and speeches.
Working with adults in higher education in universities, community organisations and the creative industries, and with children in primary and secondary schools, Dzifa devises and runs workshops, masterclasses, lectures and seminars specialising in Applied Theatre, collaborative practice and community engagement.
Dzifa is currently developing a transmedia project inspired by DNA, The Spit of Me, an artistic, social and biological investigation into the body's relationship with time, culture, migration, memory and identity. She is currently studying for an MA in Text & Performance at Birkbeck and RADA.
"Dzifa" literally means "cool heart" but the true translation is nearer in meaning to the word 'serene'.
Seán Hewitt is a poet and a book critic for The Irish Times.
He won a Northern Writers' Award in 2016, the Resurgence Prize in 2017, and an Eric Gregory Award in 2019. In 2020, he was chosen by The Sunday Times as one of their "30 under 30" most promising artists in Ireland. His exceptional debut poetry collection, Tongues of Fire was published by Jonathan Cape in 2020. Seán was shortlisted for The Sunday Times Young Writer of the Year Award that same year. He was also nominated for the John Pollard Foundation International Poetry Prize and a Dalkey Literary Award in 2021.
His scholarly book J.M. Synge: Nature, Politics, Modernism has recently been published with Oxford University Press (2021), and his memoir, All Down Darkness Wide, is forthcoming from Jonathan Cape in the UK and Penguin Press in the USA in 2022.
From May until September this year, Seán will be the Irish Queer Archive Poet in Residence, a position that is funded by the Arts Council Ireland in partnership with Cúirt Festival and the National Library of Ireland. He teaches Modern British & Irish Literature at Trinity College Dublin.
Writing and performing
Chandrika Narayanan-Mohan (She/Her) is a Dublin-based arts manager, writer, and performer from India, who has also lived in North America, Sweden, Turkey, and the UK. Her work has been published in Writing Home: The ‘New Irish’ Poets from Dedalus Press, The Ireland Chair of Poetry Hold Open the Door anthology by UCD Press, the Green Carnations: 25 Young LGBTQ+ Poets from Ireland anthology by Book Hub Publishing, Banshee, Honest Ulsterman, Impossible Archetype, and Poetry Ireland Review.
She has been featured on The Moth and Mortified podcasts, with work aired on NPR and Irish radio. She also regularly performs at literary and cabaret events in Ireland. Chandrika was selected for the Irish Writers Centre XBorders programmes in 2018 and 2020. In 2020 Chandrika won 3rd place in the Fingal Poetry Prize. Chandrika is editor of Poetry Ireland’s Trumpet issue 9, and book reviewer for Children’s Books Ireland’s Inis magazine.
Working in the Arts
After completing high school in Stockholm and Ankara, Chandrika moved to the UK for university. She graduated with a BA in Art History and English Literature from The University of York and an MA in Art History from University College London. Chandrika started working in the arts sector in London, working at Christie’s Auction House, The Victoria and Albert Museum, the Jonathan Cooper Park Walk Gallery and the Be Smart About Art AcademyIn 2012, Chandrika moved to Dublin, where she graduated with an MA in Arts Management and Cultural Policy from University College Dublin. As part of the Arts Council's RAISE programme, she also completed a Certificate in Fundraising from Fundraising Ireland. She then worked at Business to Arts, the Irish Architecture Foundation, and The Liquor Rooms. As part of her role as Arts and Culture Manager at the Liquor Rooms, she produced a talk series which was shortlisted for an IDI (Institute of Designers in Ireland) award. She is also co-founder of the Irish Craft Cocktail Awards.
Chandrika is currently Marketing and Development Manager of Fishamble: The New Play Company, an Irish theatre company passionate about developing, discovering, and producing new plays in Ireland.
Kimberly Reyes is the author of the award-nominated poetry collections Running to Stand Still (Omnidawn 2019) and Warning Coloration (dancing girl press 2018), and her nonfiction book of essays Life During Wartime (Fourteen Hills 2019) won the 2018 Michael Rubin Book Award. Published and anthologized in numerous, international outlets, Kimberly was the 2019-2020 Fulbright fellow studying Irish Literature and Film at University College Cork.
Deployed about Ireland, San Francisco and New York City, she writes mostly about identity, ecology, sexuality, and her obsessions with the New York Mets, Duran Duran, and Cillian Murphy.
Kimberly reviews for The Stinging Fly and other journals, magazines, and newspapers.