Dr Sarah Arnold

    Media Studies, Motherhood Project, Arts and Humanities Institute

    Assistant Professor

    Iontas
    Ground Floor
    0.20

    Biography

    I joined Maynooth University's Department of Media in September 2016 and am Lecturer in Media. I previously worked at the school of Film & Television at Falmouth University in the UK. I received my PhD from NUI Galway's Huston School of Film & Digital Media in 2010. 

    At Maynooth University, I teach across the BA in Media Studies and the MA in Critical and Creative Media on subjects ranging from television studies to screen production. I coordinate the MA programme and the postgraduate research programmes. 

    My main research interests are in women’s roles and participation in film, television and media. I have published subjects including horror film and motherhood and the framing of women and women’s interests on television platforms. I am currently preparing a monograph on women’s place in early television.  I contribute to the Critical Studies in Television blog (http://cstonline.tv/). My research interests include emergent screen entertainment experiences and technologies and production cultures.  

    I welcome enquiries from people interested in pursuing scholarly or practice-based PhDs on subjects related to screen media.

    Book

    Year Publication
    2021 O' Brien A, Arnold S & Kerrigan P. (2021) Media Graduates at Work: Irish Narratives on Policy, Education and Industry. London: Palgrave MacMillan.
    2021 Sarah Arnold (2021) Gender and Early Television. London: Bloomsbury.
    2013 Sarah Arnold; Mark de Valk (2013) The Film Handbook. London: Routledge.
    2013 Sarah Arnold (2013) Maternal Horror Film: Motherhood and Melodrama. Basingstoke: Palgrave.

    Book Chapter

    Year Publication
    2011 Sarah Arnold (2011) 'The Ring and Ringu: Naturalising Maternal Self-Sacrifice' In: Bound by Love: Familial Bonding in Film and Television since 1950. Newcastle-upon-Tyne, Tyne and Wear : Cambridge Scholars Press.
    2017 Arnold, S (2017) 'Larry Clark's Sex Education: Adolescent Sexuality and the Denial of Denial' In: TAINTED LOVE: SCREENING SEXUAL PERVERSION. LONDON : I B TAURIS & CO LTD.
    2015 Sarah Arnold (2015) 'Netflix and the Myth of Choice/Participation/Autonomy' In: The Netflix Effect Technology and Entertainment in the 21st Century. New York : Bloomsbury.

    Peer Reviewed Journal

    Year Publication
    2022 O' Brien, A & Arnold, S. (2022) 'Creative industries’ new entrants as equality, diversity and inclusion change agents?'. Cultural Trends, . https://doi.org/10.1080/09548963.2022.2141100
    2021 Arnold S. (2021) 'Experiments in early US television: windows of opportunities for female technical workers in the 1940s'. Women's History Review, . [DOI]
    2022 O' Brien, A & Arnold, S. (2022) 'Imagining Diversity: An Irish Case Study of Graduates’ Perceptions of Inequality in Media Work'. Alphaville: Journal of Film and Screen Media, (24):32-48. [Link]
    2022 Arnold S. (2022) 'Skills narratives amongst media degree graduates and students: Discourses of hard and soft skills in education-to-work journeys'. Industry And Higher Education, . [DOI]
    2022 Sarah Arnold & Hannah Andrews (2022) 'Editorial'. Critical Studies in Television: scholarly studies in small screen fictions, 17 (3). [Link] [DOI]
    2021 O’ Brien, Anne & Arnold, Sarah (2021) 'Doing Women’s Film and Television History: Locating Women in Film and Television, Past and Present'. Alphaville: Journal of Film and Screen Media, . https://doi.org/10.33178/alpha.20.01
    2018 Sarah Arnold (2018) 'The Production of Television’s Female Audience: Early BBC Audience Research and Gender Classification'. .
    2015 Sarah Arnold (2015) 'Urban Decay Photography and Film: Fetishism and the Apocalyptic Imagination'. Journal of Urban History, 41 (2). https://doi.org/10.1177/0096144214563499
    2014 Sarah Arnold; Dario Llinares (2014) 'New Perspectives on Cinematic Spectatorship, Digital Culture and Space: Re-evaluating Exhibition, Participation and Interaction'. .
    2013 Sarah Arnold (2013) 'Redacted: The Iraqi War According to Youtube'. .

    Conference Contribution

    Year Publication
    2022 Sarah Arnold (2022) BBC at 100 Television Studies: Women at the BBC Bradford University, 13/09/2022-15/09/2022.
    2021 Sarah Arnold (2021) Television Histories in Development Creating the daytime audience data: (Mis)locating women in US television audience research Hilverstrum, Netherlands, 30/09/2021-01/10/2021.
    2022 Sarah Arnold (2022) Motherhood on Screen Domesticating Motherhood in Contemporary Irish Horror Film Maynooth University, 23/09/2022-24/09/2022.
    2021 Sarah Arnold & Anne O'Brien (2021) Motherhood and Work Motherhood and Work: A virtual conference Virtual, 24/06/2021-25/06/2021.
    2021 Sarah Arnold (2021) 'International Best Practice' The future of media: experience, models, practice Royal Irish Academy, 06/05/2021-.
    2021 Anne O Brien & Sarah Arnold (2021) Gender Work and Organisation Equality and Diversity in the Media Industries: attitudes among new entrants to media work in Ireland Online, .
    2020 Sarah Arnold & Anne O'Brien (2020) “I was very much aware of what I would have to sacrifice…”: Finding media graduates’ lived experience, memories of education and career narratives through qualitative methodologies Methodologies for Screen Media Research Bristol, Watershed Cinema & UWE, 15/01/2020-15/01/2020.
    2019 Sarah Arnold (2019) Women in Media Conference on female practitioners in the Irish media sectors University College Cork, 15/03/2019-.
    2019 Sarah Arnold (2019) Experiments in early US television: Windows of opportunities for female technical workers in the 1940s Invited speaker at Gendered labour, technology and the media workshop Sussex University, Brighton, .
    2017 Sarah Arnold (2017) Feminist Futures: intersections of new media, technologies and women’s bodies, sex and sexuality Lecture delivered at Dublin Feminist Film Festival Dublin, .
    2018 Sarah Arnold (2018) Audience Research at the BBC: Gendering and Scheduling Presentation at conference Doing Women's Film & Television History Southampton, UK, .
    2016 Sarah Arnold, Anne O'Brien and Maria Pramaggiore (2016) Othered Voices: Women’s Voices in Media Industries Panel discussion on women in the Irish media industries Dublin Feminist Film Festival, .
    2017 Sarah Arnold (2017) ‘Internalised misogynists’: The language of oppression and female Trump supporters This paper considers how the use of gendered discourse in criticisms of female Trump supporters risks reinforcing existing gender structures, reproduces discursive regimes that humiliate and silence and denies those very women subjectivity and agency Trump's America conference UCD, Dublin, Ireland, .
    2017 Sarah Arnold (2017) Making the Female Audience: Audience Research at the BBC This paper traces the means by which the institutionally-produced category of the female viewer formed in early television audience research at the BBC International Federation of Television Archives, Mexico City, .
    2018 Sarah Arnold (2018) ‘Internalised misogynists’: The language of oppression and female Trump supporters This paper considers how the use of gendered discourse in criticisms of female Trump supporters risks reinforcing existing gender structures, reproduces discursive regimes that humiliate and silence and denies those very women subjectivity and agency SCMS, Toronto, Canada, .

    Published Report

    Year Publication
    2020 O’ Brien, A., Arnold, S. Culloty, E. Naji, J. (2020) Global Alliance on Media and Gender Country Report on Ireland. GAMAG, .

    Blog

    Year Publication
    2019 Sarah Arnold & Anne O'Brien (2019) From Education to Work: Media Graduates’ Experience of the Media Industries. BLOG [Link]
    2020 Sarah Arnold (2020) Reflections on Media Education During the Covid-19 Lockdowns. BLOG [Link]
    2021 Sarah Arnold (2021) What Future For Irish Public Service Television?: Rté Television And Technological Adaptation. BLOG [Link]
    2018 Sarah Arnold (2018) The BBC Gender Problem: A Century in the Making. BLOG
    2018 Sarah Arnold (2018) Between Programme Policy and Practice: Gender, Diversity and the Case of RTÉ’s Children’s Christmas Show, the Late Late Toy Show. BLOG
    2016 Sarah Arnold (2016) Live Broadcasting: Brought to you by Facebook. BLOG [Link]
    2016 Sarah Arnold (2016) Isn't it Funny: Now we can Laugh at Brexit. BLOG [Link]
    2017 Sarah Arnold (2017) When news and drama compete for time: The Handmaid’s Tale’s release. BLOG [Link]
    2017 Sarah Arnold (2017) Virtual Reality: The Sexual Revolution is not Taking Place. BLOG [Link]
    2017 Sarah Arnold (2017) Live from Facebook… and the BBC… and the Users: Video Streaming and Authorship. BLOG [Link]
    2017 Sarah Arnold (2017) What Use is a Gendered Audience?: Institutional Classification Then and Now. BLOG [Link]

    Book Review

    Year Publication
    2022 Sarah Arnold (2022) Book Review: Frances Galt, Women’s Activism Behind the Screens: Trade Unions and Gender Inequality in the British Film and Television Industries, Bristol: Bristol University Press, 2021. BREV
    2022 Arnold, S (2022) Movie Workers: The Women Who Made British Cinema. EDINBURGH: BREV [DOI]

    Invited Lectures

    Year Publication
    2017 Sarah Arnold (2017) Feminist Futures: intersections of new media, technologies and women’s bodies, sex and sexuality. Dublin Feminist Film Festival 2017: INVL [Link]

    Newspaper Articles

    Year Publication
    2019 Sarah Arnold (2019) Derry Girls and the value of good television. NEWSA [Link]
    2019 Sarah Arnold (2019) And the winner is: the Academy Awards' problem with women. NEWSA [Link]
    2020 Sarah Arnold (2020) How Netflix changed what we watch on our screens. NEWSA [Link]
    2017 Sarah Arnold & Anne O'Brien (2017) Newstalk and RTE aren't alone - most of the Irish media industry has a 'woman problem'. NEWSA [Link]
    Certain data included herein are derived from the © Web of Science (2023) of Clarivate. All rights reserved.

    Professional Associations

    Description Function From / To
    Royal Television Society Member 03/07/2017 -
    Women in Film & Television Ireland Member 03/10/2017 -

    Honors and Awards

    Date Title Awarding Body
    01/10/2017 Media Studies Grant International Federation of Television Archives
    01/09/2006 PhD Scholarship Huston School of Film and Digital Media

    Committees

    Committee Function From / To
    Academic Discipline Board Member 04/09/2017 -
    Learning and Teaching Committee Member 30/11/2016 -

    Employment

    Employer Position From / To
    Axonista Project Manager 25/01/2016 - 15/07/2016
    Southampton Solent University Lecturer in Film & TV 21/09/2009 - 31/08/2011
    Falmouth University Lecturer in Film & TV 01/09/2011 - 25/01/2016

    Education

    Start date Institution Qualification Subject
    Southampton Solent Certificate in Blended Learning Blended Learning

    Teaching Interests

    I lecture on undergraduate and postgraduate courses on subjects related to the study of television, screen media and media technologies as well as screen production and research methods for media practice. I am coordinator of the MA Critical and Creative Media. 
    Taught modules are as follows:
    BA Media Studies:
    • MD221 Reality and Television
    • MD353 Socialisation of Technology
    • MD314 Media Industries
    MA Critical and Creative Media:
    • MD622 Critical and Creative Research
    • MD629 Screen Production: Formats and Genres

    I also supervise PhD projects on subjects in film and television industries and work; and gender and representation gender and work. Current PhD students include Tugce Bivac; Jonathan O'Brien and Sarah Larkin.