Dr Adam Behan
Biography
I am a musicologist. I work for the most part on western music in the twentieth century, and I'm broadly interested in recordings and cultural history. Much of my research to date has explored ways of studying individual performers by merging critical and empirical approaches. I'm currently writing a book about Irish popular music at the end of the twentieth century, one that brings together musicology, Irish social history and gender studies.
I hold degrees from Trinity College Dublin and the University of Cambridge, where my graduate studies were funded by a Peterhouse Graduate Studentship. I took up a one-year lecturing post in Maynooth University in 2022 and began a Government of Ireland Postdoctoral Fellowship in October 2023.
My research has won awards including the Karl Geiringer Scholarship from the American Brahms Society and the Westrup Prize from the Music & Letters Trust. I have published articles in Music Analysis, Twentieth-Century Music, Quodlibet, Music & Letters, and The Journal of the Society for American Music. I have presented papers at multiple international conferences, and have received invitations to deliver research seminars and for other speaking engagements at various institutions, including the Eastman School of Music, Dublin City University, the University of Aberdeen and Maynooth University. I'm also a member of the SMI Council (2024–27).
All of my publications are open access and can be downloaded from my Academia page.
Research Interests
- western music and culture in the twentieth century
- the entangled histories of classical musical performance and recording technology
- the history of Irish popular music
- the analysis of musical performances (through, but not limited to, Sonic Visualiser)
- conceptual approaches to studying individual musical performers
- ethics of care and musicology
Peer Reviewed Journal
Year | Publication | |
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2025 | Adam Behan (2025) 'Music History, the Practice Turn, and Maria Yudina's Journey through the Soviet Thaw, 1959–63'. Journal of the Royal Musical Association, . | |
2023 | Adam Behan (2023) 'Joni Mitchell's Urges for Going, 1965–67: Coffeehouses, Counterculture, and Care'. Journal of the Society for American Music, 17 (1):68-85. | |
2022 | Adam Behan (2022) 'Reading Creativity Forwards and Backwards: Process and Product Revisited with Herbert von Karajan's Legato Aesthetic and Hypermasculinity'. Music and Letters, 103 (4):708-728. | |
2021 | Adam Behan (2021) 'Glenn Gould in Six Scenes: Performance as Self-Care'. Quodlibet, 76 :54-84. | |
2021 | Adam Behan (2021) 'Large-Scale Structure, Performance and Brahms's Op. 119 No. 2'. Music Analysis, 40 (1):104-130. [Link] | |
2021 | Adam Behan (2021) 'The Historiography of the Twentieth-Century Classical Performer: Life, Work, Artistry'. Twentieth-Century Music, 18 (2):161-184. [Link] |